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  • Grace Kelly movie posters gather original theatrical material from the Hollywood princess who brought aristocratic elegance to 1950s film before her transition to royalty. Kelly's theatrical paper is among the most collectible of the studio era: a short career means limited supply, and her image — aristocratic, luminously beautiful, reserved without coldness — carries the particular allure of a talent extinguished at full flower.

    The Hitchcock films define the collection. Dial M for Murder (1954), Rear Window (1954), and To Catch a Thief (1955) — three films in two years, all Paramount productions — produced campaigns of exceptional graphic quality that carry both Hitchcock's visual authority and Kelly's own elegance. Rear Window's campaign in particular balances suspense imagery with the sexual tension between Jefferies and Lisa Fremont. High Noon (1952) and Mogambo (1953) represent her work outside Hitchcock; High Society (1956) — her final film before Monaco — paired her with Frank Sinatra and Bing Crosby in a musical remake that produced some of the most glamorous campaign materials of the decade.

    Available in US one-sheets, half-sheets, inserts, lobby card sets, and international formats from France, Italy, and the UK. Condition runs Fine to Very Fine. Original theatrical paper from her three Hitchcock films and other 1950s releases is now scarce in fine condition.

    Find original theatrical paper alongside Audrey Hepburn posters, Marilyn Monroe posters, and Alfred Hitchcock posters. All Film/Art Gallery movie posters and items are authenticated originals.