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  • Damiano Damiani movie posters stand among the key documents in Italian political cinema of the 1960s and 70s — original prints for the director whose A Bullet for the General (1967) and Mafia-themed crime films put him at the centre of Italian genre cinema's most politically engaged period. Shop our Damiano Damiani collection for 2-fogli, fotobuste sets, and international campaign variants. The 2-fogli for A Bullet for the General — with Gian Maria Volonté and Klaus Kinski — is one of the most arresting large-format Italian posters of the decade, and complete fotobuste sets documenting the film's scope in ten photograph cards are now rarely found as intact runs. His Mafia pictures and investigations of organised crime generated parallel campaign material pitched at the Italian domestic audience with a directness that distinguishes them from exported versions. Locandine from these productions circulated widely through Italian cinema foyers and are the most commonly encountered surviving format, while the 2-fogli issued for outdoor display survived in lower numbers. French grandes for several titles reflect the French market's particular interest in Italian political cinema of the period — often featuring modified typography that emphasises the thriller element over the political content in ways the Italian originals did not. British and German releases produced independent campaigns for selected titles, with German A1s frequently adopting different title treatments. Browse alongside our Massimo Dallamano, Dario Argento, and Jules Dassin collections for related Italian and political cinema material. All Film/Art Gallery movie posters and items are authenticated originals.