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  • James Stewart movie posters span one of Hollywood's longest and most beloved careers — authentic original prints from the filmography of the actor who began as America's idealized everyman and became, in his late Hitchcock period, one of cinema's most psychologically complex figures. Stewart's career divides cleanly into two distinct collecting eras: the pre-war Capra comedies and the post-war westerns and psychological thrillers. Shop our James Stewart collection for material from both phases. Mr. Smith Goes to Washington (1939) and It's a Wonderful Life (1946) — the two Capra films that defined Stewart's screen persona — produced advertising materials in the grand studio illustration style that are among the most quintessentially American pieces of classic film art. The Harvey (1950) one-sheets, with Stewart and an invisible six-foot rabbit, offer some of the most whimsical advertising art in the classic Hollywood canon. The Hitchcock period is the most actively collected. Original campaign materials for Vertigo (1958) — the psychosexual thriller that Hitchcock and Saul Bass designed from the ground up as a unified audio-visual experience — are among the most valuable items in classic Hollywood poster collecting. Rear Window (1954), Rope (1948), and The Man Who Knew Too Much (1956) represent different facets of the Hitchcock collaboration. First-release originals in fine flat condition are now genuinely scarce across all periods. The Anthony Mann westerns — Winchester '73 (1950), Bend of the River (1952), The Man from Laramie (1955) — produced a cycle of one-sheets that present Stewart as a darker, harder figure than the pre-war material suggests possible. Browse alongside our Alfred Hitchcock collection. All Film/Art Gallery movie posters and items are authenticated originals.